11Story
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Contents: |
Sickness and death |
Healing rites |
“The profound beauty of these shamanic séances is undeniable. The skilled performance, with its wealth of accompanying artifacts and symbolic actions; the powerful musical incantations in abstruse verse filled with words ‘just to make it rhyme’ or whose sense is lost today; the obscure magical formulae; the clumsily groping, blind actions of this journeyer into the Great Beyond (the shaman’s eyes remain closed throughout the séance); the all too real sickness; and the actual presence (nobody in attendance would think to doubt it) of spirits and sorcerers, the agents of death – all these elements imbue such séances with an authentically mysterious atmosphere and with tragic grandeur.” |
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Figurine |
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Field notebook |
The female shaman of the neighbouring village consecrates the jar for the sacrifice, in the presence of the son of the ailing Jôn-Wan |
Funerals |
“The deceased’s sister draws back the top of the matting shroud to uncover the dead man’s face, so that he may look one last time upon his wife and children, and see the sun and the sky. It is surprising to see no trace of decay upon his features, and Bbaang-the-Stag attributes this to the injections and pills made from ‘magical European plants’ administered by the nurse. Brôong then places a few pieces of coal beside the corpse, which will serve as guides for the deceased on his journey to meet Yaang Boec, lord of the regions of Hell.” |
Funeral of the son of Bbür and Aang-of-the-Drooping-Eyelid
© Georges Condominas
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Funeral lintel 71.1951.3.350 © musée du quai Branly / P. Gries |
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