11Story

19 January 2010

The concept

Self & Other: Portraits from Asia and Europe

Contents - The preparation - The concept and challenges - How the exhibition is structured - Chapter 1. Portraits of the Self - Chapter 2. Before contact: imagined others - Chapter 3. After contact: representing the other in one’s own style - Chapter 4. The modern look: adopting the other’s style - Chapter 5. Self and other in the  contemporary world

 

 

The concept

 

 

This exhibition is about changing mutual perceptions of Asians and Europeans. It will present approximately 100 outstanding portraits of Asians and Europeans from past and present, and will travel to four or five countries in both continents over two years, 2008-2010. Conceived and developed by a team of curators from eighteen countries working to clear leadership, purpose and design, the exhibition will occupy 5-600 sq. m. of gallery space (800-1000 sq. m. in Japanese venues or which the content will be doubled). A visual feast for the broadest possible public and food for thought to those wishing to explore the theme further, it will include familiar faces and hidden treasures never before seen in public or abroad. Selected masterpieces will be represented via state-of-the-art technology to allow dramatic manipulation and comparison of images. Why portraits? Because most show faces and the face is a window onto someone’s status or soul; in this sense, a portrait can be thought of as a surrogate person. Portraits express common yet evolving human concerns about the place and role of society in the individual and of the individual in society. But how this is done varies greatly – and interestingly – from one period or country to another. There is no uniform Asian or European way to describe a person. Some traditions use text rather than image; many use both. Some artists show the individual in isolation; for others, the person is a measure of social relationships. Such contrasts in style and outlook do not map easily onto polarities like East/West, Modern/Traditional, or High Art/Low Art. To be a person is to refer to persons. An attractive exhibition of portraits, or ‘surrogate people,’ is thus an excellent way to bring visitors to museums.   List of Partners and Participating Institutions

 

 

Challenges

• International Traveling Exhibition as a Moving Body:                                                       ►Same concept                                                      ►Same title but different contents according to the venue                                                            • Holding the Exhibition under the same Title Simultaneously at Two Venues in a Region:                                                       ►Challenge to overcome the distinction between cultural museums and art museums　               • Large Scale National/International Loan:                                                       ►Challenge to get rid of the notion of the museum as a institute of “Possession”.

 

 

 

 

Fukuoka Asian Art Museum	National Museum of Art, Osaka		Kanagawa museums

 

 

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